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"Mike Compitello shined, showcasing the virtuosity of Akiho’s composition and swinging his whole body across the marimba as he played."

-News House Syracuse

"[New Morse Code] are, it seems, not just playing for the future of music, but vibrantly living in and shaping it." 

-New Haven Independent

 

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Praise for dwb (driving while black)

Albany, 2021

“New Morse Code, the remarkably inventive and resourceful duo of cellist Hannah Collins and percussionist Michael Compitello, chronicle reality with unblinking intensity.” - Gramophone

"Susan Kander: dwb (driving while black)."  Classical Music (BBC Music Magazine), June 10, 2021

Margles, Pamela: Susan Kander: dwb (driving while black).  The Whole Note, June 30, 2021

Young, Alan.  "DWB: The Most Relevant, Hauntingly Evocative New Chamber Opera in Years." New York Music Daily, June 9, 2021

“Baruch Performing Arts Center presents dwb (driving while black) – a story of motherhood and race.” Seen and Heard International, October 22, 2020.

New York Observer, September 1, 2020: “Unmissable Ballet and Opera Streaming in Fall 2020.”

Brodeur, Michael Andor. “The world is loud. These upcoming classical music performances will give you some comfort.” Washington Post, October 14, 2020.

Paige, Aaron. “Susan Kander, Roberta Gumbel – dwb (driving while black).” Black Grooves, May 4, 2021.

Moorman, Karen E. “Chamber Opera dwb (driving while black): A Trip You Will Remember.” Classical Voice of North Carolina, May 1, 2021

“Von den Gefahren, ein Schwarzer am Steuer zu Sein.” Pizzicato Journal, April 17, 2021.

Norris, Lana. “Reimagined for Streaming, dwb (Driving While Black) Examines Black Motherhood.” I Care if You Listen, November 2, 2020.

Munice, Amy. “Baruch Performing Arts Center and Opera Omaha present dwb (driving while black) Opera Review — #BLM Chamber Opera.” Picture this Post, September 23, 2020.

Barnett, Charlotte. “Unmissable Ballet and Opera Streaming in Fall 2020.” New York Observer, September 1, 2020.

“The difficult but vital “DWB (Driving While Black)” performances: Best of KC 2019.” The Pitch Kansas City, October 4, 2019.

LaFlore, Alana. “After state report finds racial disparity in traffic stops, advocates and lawmakers call for change.” Fox 4 News, Kansas City, February 20, 2019.

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Praise for Simplicity Itself

New Morse Code's Debut Record on New Focus Recordings

an ebullient passage through pieces that each showcase the duo’s clarity of artistic vision and their near-perfect synchronicity" - icareifyoulisten.com

a flag of genuineness raised"  - Q2 Music
 

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Praise for Prayers Remain Forever

(STARKLAND, 2014AMAZON)

"Each of this disc's works...speak eloquently and powerfully...Highly recommended."
    - Gramophone

 “A superb collection of recent chamber works, beautifully played.”

    - Sequenza21

“[A Message from the Emperor] though is an unqualified success. An essay on a Sisyphean mission given a messenger from a distant king (and equally impossible for the recipient), the setting of the text seems ideal as it develops into furious repetition, insistent, unyielding, and ultimately exasperated. “

    - Robert Carl, Fanfare

WQXR’s album of the week, January 5, 2015:

“ fast-rising percussionists Michael Compitello and Ian Rosenbaum have played alongside the best.” 

    -Daniel Stephen Johnson

New Music Buff: “Maybe Music Remains Forever, A New Martin Bresnick Disc”, Nov. 10, 2014:

A Message from the Emperor (2010) is another piece based on Kafka. This piece is scored for two speaking percussionists who play marimba, vibraphone and small tuned drums. This little narrative follows in the same basic tradition as the speaking pianist piece. The musicians speak sometimes separately, sometimes together coordinating their substantial duties on their instruments as well. The story tells of an important message that, as is characteristic in Kafka’s absurdist world, can never actually be communicated. It’s not clear if this (or, for that matter, the other tracks on this disc) is intended as political protest music but the analogies are certainly there if the listener chooses to apply them.
    -Perkustooth

Modern Composition Reviews, January 2015:

“Percussionists Michael Compitello and Ian Rosenbaum take turns in reading lines from “A Message From the Emperor” while providing pulsing rhythms from a vibraphone and marimba, the ringing bell-like tones giving the piece a Chinese feeling appropriate to the story.”
    -Josh Ronsen

New York Times:

“This exciting recording of chamber works and piano pieces, mostly inspired by literary texts, should be a revelation to those who don’t know his work.”
    -Anthony Tommasini

The Big City: Best Classical Albums 2014:

“Bres­nick has been indis­pens­able as a teacher to the cur­rent gen­er­a­tion of new com­posers, and his own music is sub­lime, with exquis­ite craft, an ear and heart for the beau­ti­ful, and a trans­par­ent, grace­ful and unself­con­scious con­nec­tion to the common musical mate­ri­als all around us. This is a superb col­lec­tion of recent cham­ber works, beau­ti­fully played.”
    -George Grella

PRAISE FOR BASEMENT HADES, SONGS OF THE UNDERWORLD

"Stunningly Moving"

"Percussionist Michael Compitello is a stand-out of the evening"

-New Haven Review